āĻ āĻ¨ā§āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ āĻāĻ°ā§āĻ¨
āĻ āĻāĻŋāĻ§āĻžāĻ¨ā§āĻ° āĻāĻžāĻˇāĻž āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻāĻ¨ āĻāĻ°ā§āĻ¨
āĻāĻĒāĻ¨āĻžāĻ° āĻāĻžāĻˇāĻž āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻāĻ¨ āĻāĻ°ā§āĻ¨
iconoclastic
/ËaâÉĒkÉnÉklËÉËstÉĒk/
iconoclastic
01
āĻŽā§āĻ°ā§āĻ¤āĻŋāĻāĻā§āĻāĻ, āĻŽā§āĻ°ā§āĻ¤āĻŋ āĻ§ā§āĻŦāĻāĻ¸āĻāĻžāĻ°ā§
relating to or advocating the removal, destruction, or prohibition of religious icons and images on grounds of idolatry
āĻāĻĻāĻžāĻšāĻ°āĻŖ
Protestant reformers in the 16th century led iconoclastic uprisings against Catholic altarpieces.
āĻˇā§āĻĄāĻŧāĻļ āĻļāĻ¤āĻžāĻŦā§āĻĻā§āĻ° āĻĒā§āĻ°ā§āĻā§āĻ¸ā§āĻā§āĻ¯āĻžāĻ¨ā§āĻ āĻ¸āĻāĻ¸ā§āĻāĻžāĻ°āĻāĻ°āĻž āĻā§āĻ¯āĻžāĻĨāĻ˛āĻŋāĻ āĻŦā§āĻĻāĻŋāĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§ āĻŽā§āĻ°ā§āĻ¤āĻŋāĻāĻā§āĻāĻ¨āĻŦāĻžāĻĻā§ āĻŦāĻŋāĻĻā§āĻ°ā§āĻšā§āĻ° āĻ¨ā§āĻ¤ā§āĻ¤ā§āĻŦ āĻĻāĻŋāĻ¯āĻŧā§āĻāĻŋāĻ˛ā§āĻ¨āĨ¤
02
āĻĒā§āĻ°āĻ¤āĻŋāĻŽāĻžāĻāĻā§āĻāĻ, āĻĒā§āĻ°āĻĨāĻžāĻŦāĻŋāĻ°ā§āĻ§ā§
marked by rejection of traditional doctrines, norms, or power structures
āĻāĻĻāĻžāĻšāĻ°āĻŖ
Her iconoclastic approach to architecture blends brutalism with playful, unorthodox forms.
āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āĻ¯ā§āĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻĨāĻžāĻŦāĻŋāĻ°ā§āĻ§ā§ āĻĻā§āĻˇā§āĻāĻŋāĻāĻā§āĻāĻŋ āĻŦā§āĻ°ā§āĻāĻžāĻ˛āĻŋāĻāĻŽāĻā§ āĻā§āĻ˛āĻ¨āĻžāĻŽāĻ¯āĻŧ, āĻ
āĻĒā§āĻ°āĻāĻ˛āĻŋāĻ¤ āĻ°ā§āĻĒāĻā§āĻ˛āĻŋāĻ° āĻ¸āĻžāĻĨā§ āĻŽāĻŋāĻļā§āĻ°āĻŋāĻ¤ āĻāĻ°ā§āĨ¤
āĻ¨āĻŋāĻāĻāĻŦāĻ°ā§āĻ¤ā§ āĻļāĻŦā§āĻĻ
