āĻ āĻ¨ā§āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ āĻāĻ°ā§āĻ¨
āĻ āĻāĻŋāĻ§āĻžāĻ¨ā§āĻ° āĻāĻžāĻˇāĻž āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻāĻ¨ āĻāĻ°ā§āĻ¨
āĻāĻĒāĻ¨āĻžāĻ° āĻāĻžāĻˇāĻž āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻāĻ¨ āĻāĻ°ā§āĻ¨
Fresco
āĻāĻĻāĻžāĻšāĻ°āĻŖ
The artist spent months working on the fresco, carefully applying layers of watercolor onto wet plaster to create a seamless and enduring masterpiece.
āĻļāĻŋāĻ˛ā§āĻĒā§ āĻŽāĻžāĻ¸ā§āĻ° āĻĒāĻ° āĻŽāĻžāĻ¸ āĻĢā§āĻ°ā§āĻ¸ā§āĻā§ āĻ¨āĻŋāĻ¯āĻŧā§ āĻāĻžāĻ āĻāĻ°ā§āĻā§āĻ¨, āĻ¸āĻžāĻŦāĻ§āĻžāĻ¨ā§ āĻā§āĻāĻž āĻĒā§āĻ˛āĻžāĻ¸ā§āĻāĻžāĻ°ā§ āĻāĻ˛āĻ°āĻā§āĻ° āĻ¸ā§āĻ¤āĻ° āĻĒā§āĻ°āĻ¯āĻŧā§āĻ āĻāĻ°ā§ āĻāĻāĻāĻŋ āĻ¨āĻŋāĻ°āĻŦāĻŋāĻā§āĻāĻŋāĻ¨ā§āĻ¨ āĻāĻŦāĻ āĻĻā§āĻ°ā§āĻāĻ¸ā§āĻĨāĻžāĻ¯āĻŧā§ āĻŽāĻžāĻ¸ā§āĻāĻžāĻ°āĻĒāĻŋāĻ¸ āĻ¤ā§āĻ°āĻŋ āĻāĻ°āĻ¤ā§āĨ¤
02
āĻĢā§āĻ°ā§āĻ¸ā§āĻā§, āĻĢā§āĻ°ā§āĻ¸ā§āĻā§ āĻĒā§āĻ°āĻžāĻā§āĻ°āĻāĻŋāĻ¤ā§āĻ°
a mural painting created by applying water-based pigments onto freshly laid wet plaster
āĻāĻĻāĻžāĻšāĻ°āĻŖ
Tourists admired the ancient fresco preserved on the monastery wall.
āĻĒāĻ°ā§āĻ¯āĻāĻāĻ°āĻž āĻŽāĻ ā§āĻ° āĻĻā§āĻ¯āĻŧāĻžāĻ˛ā§ āĻ¸āĻāĻ°āĻā§āĻˇāĻŋāĻ¤ āĻĒā§āĻ°āĻžāĻā§āĻ¨ āĻĢā§āĻ°ā§āĻ¸ā§āĻā§āĻāĻŋāĻ° āĻĒā§āĻ°āĻļāĻāĻ¸āĻž āĻāĻ°ā§āĻāĻŋāĻ˛āĨ¤
to fresco
01
āĻĢā§āĻ°ā§āĻ¸ā§āĻā§ āĻāĻāĻāĻž, āĻā§āĻāĻž āĻĒā§āĻ˛āĻžāĻ¸ā§āĻāĻžāĻ°ā§ āĻāĻāĻāĻž
to paint on wet plaster, allowing the colors to become fixed as the plaster dries, often used in mural painting
āĻāĻĻāĻžāĻšāĻ°āĻŖ
Renaissance painters frequently frescoed ceilings and walls in churches and palaces.
āĻ°ā§āĻ¨ā§āĻ¸āĻžāĻ āĻāĻŋāĻ¤ā§āĻ°āĻļāĻŋāĻ˛ā§āĻĒā§āĻ°āĻž āĻĒā§āĻ°āĻžāĻ¯āĻŧāĻļāĻ āĻāĻŋāĻ°ā§āĻāĻž āĻāĻŦāĻ āĻĒā§āĻ°āĻžāĻ¸āĻžāĻĻā§āĻ° āĻāĻžāĻĻ āĻāĻŦāĻ āĻĻā§āĻ¯āĻŧāĻžāĻ˛ā§ āĻĢā§āĻ°ā§āĻ¸ā§āĻā§ āĻāĻ°āĻ¤ā§āĻ¨āĨ¤
āĻ¨āĻŋāĻāĻāĻŦāĻ°ā§āĻ¤ā§ āĻļāĻŦā§āĻĻ
