ΠΡΠΊΠ°ΡΡ
ΠΡΠ±Π΅ΡΠΈΡΠ΅ ΡΠ·ΡΠΊ ΡΠ»ΠΎΠ²Π°ΡΡ
ΠΡΠ±Π΅ΡΠΈΡΠ΅ ΡΠ²ΠΎΠΉ ΡΠ·ΡΠΊ
antithesis
/Γ¦ntΛΙͺΞΈΙsΛΙͺs/
Antithesis
ΠΡΠΈΠΌΠ΅ΡΡ
Throughout his career, Dostoyevsky explored psychological antitheses like good vs evil, faith vs doubt.
ΠΠ° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΡΠ²ΠΎΠ΅ΠΉ ΠΊΠ°ΡΡΠ΅ΡΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π» ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π°Π½ΡΠΈΡΠ΅Π·Ρ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ Π΄ΠΎΠ±ΡΠΎ ΠΏΡΠΎΡΠΈΠ² Π·Π»Π°, Π²Π΅ΡΠ° ΠΏΡΠΎΡΠΈΠ² ΡΠΎΠΌΠ½Π΅Π½ΠΈΡ.
02
Π°Π½ΡΠΈΡΠ΅Π·Π°
a rhetorical device that places contrasting ideas or words in parallel structure to highlight their opposition and create a sense of balance
ΠΡΠΈΠΌΠ΅ΡΡ
Shakespeare 's " To be, or not to be " hinges on antithesis between existence and nonexistence
Β«To be, or not to beΒ» Π¨Π΅ΠΊΡΠΏΠΈΡΠ° ΡΡΡΠΎΠΈΡΡΡ Π½Π° Π°Π½ΡΠΈΡΠ΅Π·Π΅ ΠΌΠ΅ΠΆΠ΄Ρ ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ ΠΈ Π½Π΅ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ.
ΠΠ΅ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΠ΅ΡΠ΅Π²ΠΎ
antithesis
thesis
ΠΠ»ΠΈΠ·ΠΊΠΈΠ΅ Π‘Π»ΠΎΠ²Π°
