skiffle
ski
ˈskÉĒ
ski
ffle
fəl
fēl
/skˈÉĒfə‍l/

āχāĻ‚āϰ⧇āϜāĻŋāϤ⧇ "skiffle"āĻāϰ āϏāĻ‚āĻœā§āĻžāĻž āĻ“ āĻ…āĻ°ā§āĻĨ

01

āĻāĻ•āϟāĻŋ āϏāĻ™ā§āĻ—ā§€āϤ āϧāĻžāϰāĻž āϝāĻž āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇ āϤ⧈āϰāĻŋ āĻŦāĻž āĻ…āĻ¸ā§āĻĨāĻžāϝāĻŧā§€ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻāĻŦāĻ‚ āϞ⧋āĻ•, āĻŦā§āϞ⧁āϜ āĻāĻŦāĻ‚ āϜāĻžāĻœā§‡āϰ āĻĒā§āϰāĻ­āĻžāĻŦ⧇āϰ āĻŽāĻŋāĻļā§āϰāĻŖ āĻĻā§āĻŦāĻžāϰāĻž āϚāĻŋāĻšā§āύāĻŋāϤ

a genre of music characterized by its use of homemade or improvised instruments and a fusion of folk, blues, and jazz influences
āωāĻĻāĻžāĻšāϰāĻŖ
The skiffle craze in the 1950s inspired many British musicians, including The Beatles, who started their careers playing skiffle before transitioning to rock and roll.
1950-āĻāϰ āĻĻāĻļāϕ⧇ āĻ¸ā§āĻ•āĻŋāĻĢāϞ āĻ•ā§āϰ⧇āϜ āĻ…āύ⧇āĻ• āĻŦā§āϰāĻŋāϟāĻŋāĻļ āϏāĻ™ā§āĻ—ā§€āϤāĻļāĻŋāĻ˛ā§āĻĒā§€āϕ⧇ āĻ…āύ⧁āĻĒā§āϰāĻžāĻŖāĻŋāϤ āĻ•āϰ⧇āĻ›āĻŋāϞ, āϝāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻŦāĻŋāϟāĻ˛ā§āϏāĻ“ āĻ›āĻŋāϞ, āϝāĻžāϰāĻž āϰāĻ• āĻ…ā§āϝāĻžāĻ¨ā§āĻĄ āϰ⧋āϞ-āĻ āϰ⧂āĻĒāĻžāĻ¨ā§āϤāϰāĻŋāϤ āĻšāĻ“āϝāĻŧāĻžāϰ āφāϗ⧇ āĻ¸ā§āĻ•āĻŋāĻĢāϞ āĻŦāĻžāϜāĻŋāϝāĻŧ⧇ āϤāĻžāĻĻ⧇āϰ āĻ•āĻ°ā§āĻŽāĻœā§€āĻŦāύ āĻļ⧁āϰ⧁ āĻ•āϰ⧇āĻ›āĻŋāϞāĨ¤
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āĻ…ā§āϝāĻžāĻĒ āĻĄāĻžāωāύāϞ⧋āĻĄ āĻ•āϰ⧁āύ